Tag: Big Boi

The NFL is Partnering With Jay-Z On the Super Bowl Halftime Show and I am IN

Washington PostThe NFL is forming a partnership with music mogul Jay-Z in a deal that allows him to help manage entertainment ventures tied to league events and is closely connected to the league’s community activism efforts.

The partnership will make Jay-Z, whose given name is Shawn Carter, and his Roc Nation agency a co-producer of the Super Bowl halftime show. It does not contain a provision for him to be the halftime performer, he and NFL Commissioner Roger Goodell said.

He was very quick to say that he does not want this to be about him performing, that it was broader than that,” Goodell said in an interview. “It quickly went beyond that. Do I hope he’ll perform in the Super Bowl sometime in the next several years? Yes. But I think we’ll all know if that time comes. He’ll know in particular.”

Roc Nation will choose entertainers who will perform in televised NFL promotional spots throughout the season. Carter said he believes Roc Nation will have freedom under the partnership to produce the kind of entertainment that it wants.

The Super Bowl halftime show has been a snoozefest since Janet Jackson threw her titties into Justin Timberlake’s hand all those years ago.

Ever since then the NFL basically overcorrected and trotted out some of the most boring halftime shows ever. In the years post titty-gate we got Tom Petty, Bruce Springsteen, the Rolling Stones, and The Who, which are all good, wholesome bands, just not anyone I want to see headlining the biggest entertainment night of the year. At least in recent years they’ve started to bring back artists that are under 50 years old again.

Last year though was definitely some old white producer trying to appease everyone with Travis Scott, Big Boi, and Maroon 5 while still somehow pleasing no one.

So this morning I hear the news that the NFL has gone back to the big guns (and probably dumped an 18-wheeler full of cash on his front lawn) and partnered up with Jay-Z for this year’s halftime show. While it makes it pretty clear he won’t be performing any time soon, getting S Dot Carter to produce the league’s halftime show and its musical entertainment as a whole is a HUGE win for the NFL. Reasonable Doubt, The Blueprint 1/2/3, The Black Album, Kingdom Come, hell even the American Gangster soundtrack still BANGS to this day. Thats not even counting all the collabs he’s done over the years like Collision Course and Watch the Throne, which are all-time albums. Now obviously I left out most of his more recent work…but those albums aren’t without their mega hits. I actually went to the Jay-Z/Timberlake show at Fenway a few years back and the Holy Grail beat drops just as hard today. To be perfectly honest I never heard a ton of 4:44 because I’m not a schill and I’m not paying for Tidal just to get Jay’s album, but The Story of OJ is without a doubt a jam. Long story short, I have high hopes for Jay-Z and Roc Nation leading the entertainment wing for the NFL moving forward.

Although it does sound like HOVA has been paying close attention to the Ginger Hammer’s actions in recent years (i.e. Supreme Court cases for equipment violations, but wife beaters and child abusers getting off scot free) and doesn’t expect completely smooth sailing.

“I anticipate that there will be a lot of — with any big organization, in this building right here we have internal problems. Anything that’s new is going to go through its growing pains. We put what we want to do on the table. The NFL agreed to it. So we’re going to proceed with that as if we have a partnership.”

I’d be remiss though if I didn’t mention and laugh out loud at the hypocritical nature of this entire partnership as the Carters very publicly turned down the halftime show last year and chided the NFL for its handling of Colin Kaepernick.

I’ll give him the benefit of the doubt though that he wants to make some real changes by getting inside the NFL, rather than just criticize it on twitter, but at the end of the day Hov isn’t a businessman, he’s a business, man.

#RushHourRap – OutKast – ATLiens

Since the Patriots are down in Atlanta trying to take home yet another Super Bowl, it’s only right that we honor some of the truly excellent rap music to come out of the ATL over the years. Today we’re lacing em up with probably the most famous Atlanta rappers ever; OutKast.

#RushHourRap – Lil Wayne – A Milli

I caught some old Lil Wayne on the radio driving into work this AM and it sent me down the rabbit hole. Lil Wayne is obviously still very popular, but it’s different than how it used to be. The guy was an absolute monster with everything he touched turning to gold. Maybe it just seems that way to me because I’m washed, but seriously it’s different.

I went to the Drake vs Lil Wayne concert a couple summers ago and I was stunned at how many people didn’t know the words to LOLLIPOP. I felt like my uncle at a New Kids On the Block concert because I suddenly felt very dated. All the drunk children at that show knew nothing prior to I Am Not A Human Being and thats a shame because Lil Wayne was an absolute megastar back when I was in high school/college. I would say from 2006-2008 Lil Wayne was not only the most popular, but the most lyrically dominating artist on the planet. I think he’s tailed off hard in recent years, but you cannot deny the guy’s resume.

If you want to start even a little earlier in 2004 Weezy dropped Tha Carter with Go DJ being the main hit, followed up by a pretty legit feature on Destiny’s Child (holy shit I’m old) Solider. Then in 2005 he released The Carter II, which was the first Lil Wayne song I remember being a huge hit in Fireman, but also had Hustler Musik and of course Shooter (introducing Robin Thicke). In 2006 Wayne had the collab with Birdman Like Father Like Son, which was fine with the main single being Stuntin Like My Daddy.

BUT, thats when the guy absolutely took off appearing on anything and everything from features to mixtapes to albums. In late 2006 we got Dedication 2 and then in early 2007 Lil Wayne released, in my opinion, the best mixtape of all time with Da Drought 3.

Then the guy really got hot appearing on *all* of these songs:

“Despite no album release for two years, Lil Wayne appeared in numerous singles as a featured performer, including “Gimme That” by Chris Brown, “Make It Rain” by Fat Joe, “You” by Lloyd, and “We Takin’ Over” by DJ Khaled (also featuring Akon, T.I., Rick Ross, Fat Joe, and Birdman), “Duffle Bag Boy” by Playaz Circle, “Sweetest Girl (Dollar Bill)” by Wyclef Jean (also featuring Akon), and the remix to “I’m So Hood” by DJ Khaled (also featuring T-Pain, Young Jeezy, Ludacris, Busta Rhymes, Big Boi, Fat Joe, Birdman, and Rick Ross). All these singles charted within the top 20 spots on the Billboard Hot 100..Wayne also appeared on tracks from albums Getback by Little Brother, American Gangster by Jay-Z, and Graduation by Kanye West.”

That was before he even got around to releasing his own work. Released in 2008 after a delay, Tha Carter III is still one of the best rap albums of all time. 3 Peat, Mr. Carter, A Milli, Dr. Carter, Mrs. Officer, Shoot Me Down, Lollipop — all bangers more than 10 years later.

In that time span Lil Wayne won a Grammy for Best Rap Solo Performance for A Milli, Best Rap Performance by a Duo or Group for Swagga Like Us, Best Rap Song for Lollipop, and Best Rap Album for Tha Carter III.

Hard to top that stretch.