Sports Illustrated –His path to the top of the Houston Texans’ front office is unlike anything the NFL has ever seen. Many from his past see him as a chaplain with a heart of gold or an underdog outsider with the tools for greatness. Others are skeptical, unable to square his relentless ambition with claims of selflessness. Two years after his arrival in Houston, those inside the Texans’ building describe an atmosphere of mistrust, a state of constant chaos and a sense that he isn’t fit for the roles he’s taken on…Then there was Jack Easterby, hired as the franchise’s executive vice president of team development in April 2019, a man who’d risen from low-level Jaguars intern to Patriots team chaplain to lauded character coach—before making an unprecedented shift into football operations. Easterby, those Texans told each other, was Littlefinger, the nickname of Petyr Baelish, a shadowy and cunning operative who on TV espoused righteousness as a strategy, but sought to consolidate power through chaos and isolation and the pulling of strings behind the scenes.
Chaos is a ladder. This is a blog I meant to write back in October, but never got around to it because I’m a perpetual procrastinator. The headline of that blog I never wrote was: “With Bill O’Brien Fired, Jack Easterby is Officially the Petyr Baelish of the NFL.” A guy who was hired to be a chaplain, a glorified character coach for the Patriots, somehow rose to the rank of General Manager for the Houston Texans. How the fuck did that happen? Seriously, Easterby should walk around with a mockingbird sigil pinned to his chest.
I often thought my disdain for this man I never met was just my Patriots red and blue bleeding through after Easterby trashed Robert Kraft on his way out of New England because he *allegedly* got an HJ from another adult. People that act holier than thou are usually the worst ones behind closed doors. Well, turns out it wasn’t just me as Sports Illustrated just published an extensive article TRASHING Jack Easterby and also borrowing my Baelish analogy.
Long story short, Easterby worked his way up from camp counselor to college character coach to chaplain for teams like the Chiefs and Patriots, before heading to Houston for a promotion in Player Development (Easterby then also tried to poach Nick Caserio while at Kraft’s house for a Super Bowl ring ceremony), and then *nine* months after being on the job for the Texans, he somehow slides into the EVP of Football Operations/GM role after the vacuum left by the firing of current GM and coach, Bill O’Brien.
THAT is some ladder climbing folks.
Easterby’s role wasn’t clearly described to many of his new colleagues, but he was expected to build on the position he held in New England, setting an organizational culture and mentoring players.
These are the kinds of hires that are always disasters in companies because if nobody really knows what somebody is supposed to be doing then it allows them to, at best, be unproductive and at worst work in the shadows to craft their own job description.
One former staffer says that when Easterby is asked for specifics about a subject on which he’s out of his depth—not uncommon considering his scope of responsibilities and limited NFL experience—he’ll artfully deflect and move on to a new topic. They watched curiously as Easterby’s responsibilities expanded well beyond the role for which he was hired—in some cases, outside his areas of expertise. As another colleague puts it, “Jack was basically doing everything O’Brien was doing, except for calling plays.”
See what I mean?
But you seriously have to read this entire SI article just to see the long winding road a guy with zero actual NFL chops somehow jumped from position to position, manipulating relationships (and to be honest probably naive, hyper-religious people) from team to team, until he somehow went from character coach to the guy in charge of a National Football League franchise. Unreal, you almost have to respect it.
While Easterby aspires to be a transformational leader, guided by religion and morality, people who have worked alongside him in Houston have increasingly come to see him as transactional. Says a colleague: “If you combine a faith-healing televangelist with Littlefinger, you’d get Jack Easterby.”
The one thing that I can’t seem to figure out is his apparent close relationship with Belichick. You would think this is a guy Bill would tell to get the hell away from him. He has always been distrustful of charlatans like Tom Brady’s guy, Alex Guererro. Although it seemed like his act may have been wearing thin and more people were starting to wise up in the Patriots organization.
One person who saw his sideline histrionics up close says they were more show than substance: When you see him and the big personality and how he’s moved up the ladder so fast, you’re like, ‘Man, this isn’t authentic. Something doesn’t feel genuine about this.’ ” Others saw him sidling up to assistants. They noticed that he hired an agent who represented coaches and executives, an unheard-of move for a chaplain in pro sports. One Patriots staffer compared Easterby to a preacher at a megachurch—a man of God who stands onstage and denounces the ills of poverty, then slips out the backdoor, into a private jet. Several current and former colleagues, from Foxboro and Houston, agree that this description is accurate.
Theres also a ton of stuff in there about Easterby seemingly straight up lying on his resume and experience such as helping 50+ universities in their coaching searches over the years without offering any specifics. Until he got called on it that is.
As recently as November, a bio for Easterby that appeared on the website for the Greatest Champion Foundation (a nonprofit with a goal of serving athletes holistically through faith and founded by Easterby and his father) claimed that Easterby has over the years “been entrusted with over 50 head coaching searches at both power-five and mid-major universities for multiple sports.” Neither the Texans nor Easterby addressed specific questions from SI about which programs he has worked with on coaching searches and in what capacity.
That foundation’s site was down for most of the past month—a staffer explained that it was due to a redesign and migration to a new content management system—and when the new version launched last weekend, Easterby no longer had a bio.
It seems like the Texans may finally be wising up to Littlefinger’s act of ladder climbing as well. Apparently they sent out an email to all season ticket holders announcing a star studded team devoted to finding the next GM and coach of the team. Just as it ended for Baelish, you can only climb so high on trafficking misinformation before you make enough enemies that it catches up to you.
After reading that absolute hit piece by SI though, if I had to summarize Easterby in one gif, it’s this.
RIP to Olenna Tyrell, one of the great TV characters of our time. She was a real one. She understood that you didn’t have to be the greatest swordsman in the world to wield power.
Beyond Thrones though, Rigg was a superstar for several decades starring in The Avengers, the Bond flick On Her Majesty’s Secret Service, and even The Great Muppet Caper! Diana Rigg was also a FOX back in the day. An absolute weapon in the 1960s.
I know these pump up hype videos are very common these days on social media. Tom Brady and Julian Edelman post them before every big game, but Cam Newton must have a cinematographer on the payroll because he’s releasing like two a week. Today we get a mashup of Cam working out with guys like OBJ while the absolute GOAT of revenge Petyr Baelish provides the foreboding voiceover.
This offseason has been absolute chaos with Cam Newton not finding a job until July and questions of whether the season will actually start on time or not, but hey, chaos is a ladder.
If you think Cam’s not out for blood this season you’ve got another thing coming. Just please be healthy because I really want to see a pissed off former MVP going at the rest of the league’s neck.
I saw this question posed on Twitter somewhere, but can’t find the original tweet so here we are. Now I have a feeling the answers are going to skew wildly here. Everyone has an HBO show that they watched religiously before the fracturing of content with social media and streaming. These days I watch so many shows on so many platforms I don’t really associate them with any one channel. Back in the day though you’d have to wait all week for your next fix and come Sunday night when that HBO static noise drops its like the first drip of morphine.
Disclaimer: This is not a list of the *best* HBO shows, this is a list of what hits your brain first when you hear the opening static. The Sopranos is an all-time show, but I was 10 when it started so I only watched episodes here and there with my dad in later seasons. I didn’t even properly binge Sopranos until last year, so go ahead and shame me if you want, but Tony’s fate in my rankings is not as ambiguous as that finale was.
With so many all-time shows and cult classic series, what song does the HBO Intro remind you of first?
3.) True Detective
The first season of True Detective is one of the few instances of TV in the past decade that was appointment viewing. The HBO Opening followed by that creepy Bayoux theme song was a one two punch that had me glued to my seat no matter what. There could have been a fire in my kitchen and I would have let my shitty Allston apartment burn just so I could try and figure out who the Yellow King was.
2.) Game of Thrones
Pound for pound my favorite TV show of all time and one that changed the game forever, despite some minor (massive) missteps over the final season or two. This was a show you couldn’t afford to miss the opening seconds so the dog was walked, the snacks were set up, and the lights were dimmed at 8:58 pm leaving nothing but silence in my house as that sweet, sweet HBO Opening hit followed by one of the greatest opening sequences in TV history. I literally went to a Ramin Djawadi concert just to hear this played by a live orchestra and it was some of the best money I ever spent.
1.) Entourage
For me the hands down No. 1 in the Power Rankings is Entourage. I readily admit a lot of this has to do with the age I was when Entourage was starting off and hitting its stride, but when I hear that HBO static the first thing I think of is Vinny and the boys. This show was just straight up fun to watch with your buds so it’s probably just a dopamine connection in my brain. Did the show become formulaic in its later seasons? Sure, but that doesn’t change the fact that my brain is hardwired to play Jane’s Addiction in my head as soon as I hear the HBO Intro.
So who ya got?
PS – The honorable mention that didn’t make this list is Ballers. I don’t even really associate Ballers with the HBO Opening (hence not making the list), but tell me you can’t think of The Rock just crushing deals every time you hear Lil Wayne and Drake’s “Right Above It.”
Real quick: I try and make these as spoiler-proof as possible but I’m only human. If you recognize a show you’re still watching I’d skip ahead or stop reading.
This is a blog I’ve had in my back pocket for forever. Every show has either a main character or a group of main characters that carry it. We all know that. Hell, that is the way stories work in general, be it a book, TV, movie, porno, epic poem, play, etc….However, in particular with television, a show often lives and dies by its #2 characters, its “bench players” as I have called them here.
The tricky part in making this list is deciphering where the line is between a main character and a true #2. For example you’ll see later on that Carmella Soprano is not on this list. Why? Well I’d consider her too involved in the show and too central to many plot-lines to be a #2. If Tony’s wife had been a different kind of person the show could have been drastically different or lacking. With that said, let’s define a #2 character/bench player as a character who, while the show and plot could have easily moved forward either without them or by substituting any number of other characters for them, was executed so excellently they pushed the show beyond what it already was. Here goes.
**As always with these, please don’t consider this in any particular order.**
10.) The Hound, Game of Thrones
In The 300s group chat the argument for best #2 in the realm came down to our two favorite sell swords, The Hound and Bronn, later Ser Bronn of the Blackwater. I was eventually outvoted for the Hound and have exactly zero qualms about that. The gigantic mercenary with about 1/10 of a normal conscious that he used at exactly the right times was a source of incredible battles, nihilistic monologues, and pithy one-liners that always threatened to steal the show.
9.) Mike Ehrmantraut, Breaking Bad
Lippa: Mike may look like (and is) a grandfather, but he is one of the most no-nonsense characters in the history of television. He doesn’t take shit from anyone and doesn’t have time for anyone’s bullshit. His disdain for everything Walter White represents and his biting sense of sarcasm makes him an elite secondary character.
8.) Wags, Billions
A lot of folks, including a couple of my colleagues, probably want me executed right about now because they consider Wags more of a main character. However if we stick with a #2 as defined, the show could move forward without Wags without losing momentum. It would not have been as funny as it is at times, but it’s also not a comedy in and of itself. That said, “Uncle” Wags’ Ari Gold-like unbridled macho energy and profanity laden, analogy-based monologues regarding everything from profit to sushi make him a legendary bench player.
7. Kevin and Veronica, Shameless
I think it’s fair to include “Kev” and “V” as a unit as that is how they’ve always existed on the show. One a white trash, golden retriever of a meathead armed with tank tops and below average intelligence. His better half a street-smart, maternal, tough loving black girl who always knows what to do in a pinch. They (hilariously) serve as the Gallagher’s next door neighbors, confidantes, security blankets, and closest advisers all while dealing with their own shit. Regardless, whether they are living in the highest of highs or lowest of lows, they have always been the most consistent relationship on the show. True love indeed.
6.) Paulie “Walnuts” Gaultieri, The Sopranos
Paulie Walnuts might be the quintessential bench player. There were a slew of mostly faceless capos and soldiers in Tony’s circle. They were brought into the thick of the plot if and when necessary but for the most part they were interchangeable. Paulie stood out though. Despite being a true wiseguy and a tough customer, Paulie would wax poetic on just about anything, regardless of how much sense it made. He often provided the levity needed to make such a psychologically taxing show work.
5.) Max Piotrowski, Homeland
I feel like there is a Max Piotrowski in all of us. By that I don’t mean we are all wizard-like when it comes to every facet of technology, particularly that related to intelligence. What I mean is I feel like we’ve always been in a job or a role or place in life where we’ve felt that we’ve done a fantastic job and/or put in incredible amounts of effort and never really were given the credit we deserved. Max has always been that guy for Carrie Mathieson and the rest of the CIA team. On top of all that, he really fucking cares about what happens. A lot. So maybe that’s the part about Max we should focus on. Not just that he does what he does, but that he does it at 100% and out of shear loyalty.
4.) Tony Almeida, 24
If I’m being honest, re-watching 24 and being transfixed with Almeida’s intensity is what made me want to come up with this list. He was Jack Bauer’s adviser and enabler. He would do what Jack needed him to do even when filled to the brim with apprehension and completely unsure of what the result might be. Sure, they butted heads sometimes, but only when Almeida thought things were completely out of hand. He was a true Patriot and shared the blind loyalty trait with Max.
3.) Omar Little, The Wire
I know, I know, but hear me out.
Despite Omar being one of the greatest TV characters point blank period – I’d rank Tony Soprano above him and maybe no one else – where he was positioned in the show was as a #2 character. In season 1 for instance, any snitch could have been used by McNulty and company to put a case on Bird. It could have been another conjured crew that goes to war with the Barksdale organization and tangled with Marlo, couldn’t it? But the show wouldn’t have been half as awesome as it was and that is what makes Omar Omar.
Come for the king, you best not miss.
2.) Opie, Sons of Anarchy
This is another one where I’m towing the line dangerously close to “main character” status. Opie played a significant part on this show throughout his run. But in the end, there were countless SAMCRO members, named and unnamed, that could have shouldered his load in some capacity. Only he did it his own brooding, imposing way.
“This is what she felt.”
1.) Mr. George Feeny, Boy Meets World
It’s interesting that both Boy Meets World and Home Improvement were on during the same time period and both employed the use of a sage next door neighbor. However, Feeny, in my respectful opinion, is the far superior character as he is immersed in the lives of those he is dispensing advice to while Home Improvement’s Wilson comes in with almost deus ex machina-esque wisdom to save Tim Taylor’s ass when all hope is lost. Indeed the kids, and sometimes adults, of Boy Meets World could have gone to anybody when they were in a pickle. But it was always the grandparent-like Mr. Feeny who guided them on their journey through life, love, stress, and setbacks (shout out Atmosphere).
Pitchers and catchers reported today and the Red Sox have still yet to officially name a manager. This is like when you showed up to class as a kid and the teacher was sick, but the school forgot to assign a substitute. Real Lord of the Flies type stuff going on down in Fort Myers right now.
This is exactly what you want to get the 2020 season started right after you just traded your best player and the guy you signed to the biggest pitching contract ever. Nobody in charge. Confusion. Chaos. This team could win 95 games or miss the playoffs entirely and neither would surprise me. Too negative? Well, if you believe my old friend Petyr Baelish, all this chaos could actually be an opportunity for the Sox.
With so many options to watch TV like Netflix, Hulu, Disney+, HBO Go, Amazon Prime, YouTube TV, Apple TV+, ESPN+ and more coming, its no surprise that a huge chunk of the shows below are not on cable. As they say, the Streaming Wars have begun.
This list is comprised of picks from the staff where we ranked our Top 15 shows with No. 1 getting 15 points all the way down to No. 15 getting one point. Rankings are based on each show’s aggregate score, which seemed like the fairest way to do it. Apologies to all the shows forever in my queue, but I haven’t seen some of the more acclaimed shows like The Wire, The Leftovers or Atlanta so that hurt their overall scores. So sue me, theres a billion shows to watch and I spend approximately half my time scrolling through just trying to decide what to watch.
Also it was a Sophie’s choice of TV to pick from so I made the difficult decision of ruling that any show on this list had to have premiered in 2010 or later to truly make it a show of this decade. So no Breaking Bad, Mad Men or Lost.
Now lets get to the Top 30 shows of the decade!
No. 30 – The Missing/Rick and Morty/Making a Murderer/Trial and Error
No. 29 – Crashing
No. 28 – Narcos
“If Game of Thrones put him on the map this is the show that launched Pedro Pascal into the next stratosphere. Just an excellent Netflix original about two DEA agents taking down Medellin drug kingpin Pablo Escobar.” – Red
No. 27 – House of Cards
“It’s easy to forget about this show at this point, considering how far it went off the rails and Kevin Spacey’s cancellation, but this show was a game changer. When a two-time Academy Award winner got involved with an online streaming show, that was a sign that streaming television offerings would be worthy of our attention.” – Big Z
No. 26 – Big Mouth
“One of the funniest shows on Netflix, Big Mouth is unapologetically filthy and does a great job capturing a very specific time in all of our lives.” – Big Z
No. 25 – Homeland
“This show emerges from the ashes of the height of the Iraq/Afghanistan conflicts and follows CIA agent Carrie Mathieson as she tries to stop various terror threats before it’s too late, all while keeping a fairly substantial personal secret.” – Joey B
“Think “Heat” but with a stock market genius that toes the line or complete disregards it and a US Attorney starving to nail him for it. All sorts of hijinx and side characters add quite the spice to this Showtime great.” – Joey B
No. 20 – The Leftovers
No. 19 – Vice Principles
No. 18 – Lovesick
“One review said Lovesick was “what How I Met Your Mother could have been” and I think that is deadly accurate. Basically a guy finds out he has the clap and needs to inform all previously partners. While he works through that list he simultaneously tries to decipher why love has evaded him so far.” – Joey B
No. 17 – Parks and Rec No. 16 – Stranger Things No. 15 – Shameless
“It has waxed and waned post-season 4 or 5ish but still delivers. The saga of the poverty-stricken but street smart Gallagher clan on the south side of Chicago will make you laugh and cry in the same episode.” – Joey B
No. 14 – Daredevil
“Hands down the best depiction of the Marvel Cinematic Universe ever put on TV. Now its worth noting a lot of those live action shows were hot garbage (couldn’t make it through the pilot of Iron Fist) and they all ultimately got cancelled, but I think that had more to do with the Streaming Wars than the quality of the shows. Daredevil is so good it will make you forget how much you hated that character after the disastrous Ben Affleck movie. Charlie Cox is the catholic with a conscience fighting crime facing off against Vincent D’Onofrio as the completely unhinged Wilson Fisk. Plus this show gave us the criminally underrated Jon Bernthal Punisher.” – Red
No. 13 – Peaky Blinders
“I consider this the best show currently on TV. Cillian Murphy (the Scarecrow in “Batman Begins”) is a WWI vet who has returned home to Birmingham, England fairly recently and now runs his family crime syndicate using both brute force and his intimidating intellect.” – Joey B
No. 12 – Jack Ryan
“This Amazon Prime show only started in August of 2018 and already skyrocketed up to No. 12 on this list because its that good. Granted 13 Hours and The Quiet Place helped people forget about John Krasinki as Jim from The Office surprisingly quick, but Jack Ryan turned him into a bonafide action star.” – Red
No. 11 – Banshee
“The best kept secret (who the fuck watches Cinemax but not for softcore porn?) of the decade. Basically a Gomorrah of blood, gore, and nudity based around a master thief who gets out of prison and assumes the identity of a bordering-amish country small town sheriff.” – Joey B
No. 10 – Boardwalk Empire
“This is a show that for whatever reason never got the same hype as a lot of other titles on this list, but it had some of the best writing on TV with The Soprano’s Terence Winter leading the ship. It stars a perfectly cast Steve Buscemi as a corrupt politician/bootlegger turned full blown gangster. Not to mention A+ performances from Michael Shannon and Michael Kenneth Williams as flawed, morally ambiguous characters on both sides of the law.” – Red
No. 9 – Black Sails
“I wrote a whole blog about Black Sails and how I believe it got no love because people assumed it was trying to ride GOT’s coat tails with the English accents and old timey-ness (it started the same year). Either way this television precursor to Treasure Island involving pirates and colonialism was an honest to God achievement.” – Joey B
No. 8 – The People v. O. J. Simpson: American Crime Story
“Even in the age of DVR this miniseries was appointment viewing. What could have easily been an extended SNL sketch featured some superb storytelling and acting. Sterling K. Brown’s performance was a highlight for me, but is was also probably John Travolta’s best work in a long, long time.” – Big Z
No. 7 – Broad City
“Broad City was basically Girls without all the preachy millennial commentary. Where Girls oftentimes embarrassed you to be a millennial, Broad City reminded you how fun it could be to be broke in the city with your best friend just getting into weird shit.” – Red
No. 6 – Watchmen
“This HBO original hasn’t even finished its first season yet and thanks to Papa Giorgio and I, its already made it to No. 6 on our top shows of the decade. Its that good. I never read the comic book, but if the 2009 Zack Snyder movie even vaguely interested you, this show is 100x better and worth the 9 hours. The show is helmed by Damon Lindelof, who I have absolutely FLAYED over the years for how badly Lost went off the rails at the end, but he has come back strong with The Leftovers and now has hit a grandslam with Watchmen. Lindelof learned from all the mistakes he made along the way to create another complex, political, downright weird world while still leaving all the breadcrumbs to tell a completely engrossing story. The penultimate episode even accomplished the rare feat of nailing time travel as Lindelof tells a story across multiple timelines in a completely coherent way.” – Red
No. 5 – Nathan for You
“Nathan For You is my comedy of the decade. It’s premise is pretty simple: Nathan Fielder presents terrible ideas to businesses with a straight face to boost sales/revenue. Fielder tricks real people into following along with his schemes and hijinx ensue. Whether it be convincing a realtor to rebrand as a “ghost realtor,” hiring a Michael Richards lookalike to leave a large tip at a restaurant to get the restaurant publicity, or conning a Best Buy employee into divulging company secrets in order to help a mom and pop electronics store sell TVs, Nathan For You is the perfect reality show we never knew we needed.” – Papa Giorgio
No. 4 – Better Call Saul
“Possibly the greatest spin off in TV history. Bob Odenkirk is outstanding in this fascinating look at Jimmy McGill’s transformation into Saul Goodman. This show moves a little slower than Breaking Bad, which means it would be great to binge if you haven’t been on board since Day 1. A benefit of that slower pace is a more thorough look at much of what was going on in the background on Breaking Bad. So while it’s not a thrill ride every week, it is a very satisfying character study.” – Big Z
No. 3 – Veep
“In a long history of comedy excellence at HBO, Veep might be its finest offering. Julia Louis-Dreyfus leads an outstanding cast and took home SIX straight Emmys for her portrayal of Selina Meyer. The show won three straight Emmys for best comedy and will be heavily featured when CNN gets around to the TV episode for it’s inevitable 2010’s miniseries in a few years. Veep also boasted some of the best insults in TV history.” – Big Z
No. 2 – True Detective: Season 1
“If there is one show that defined appointment TV before streaming completely took over the world it is True Detective. The first season was incredibly acted, directed, and told a story across timelines seamlessly. This was a show that Papa Giorgio and I started watching on a borrowed HBO Go account, which meant we had to wait an hour after it originally aired. But we became so enthralled with the show we couldn’t risk Twitter ruining who the Yellow King was for us. So we legitimately bought HBO the day of the finale so we could watch it live. And because it was a self contained anthology series you knew it was all going to come to an end after one season leading to the most fun I’ve had watching TV this decade.
Not to mention, if you’ve so much as tried to film an IG Story you can appreciate the creativity and skill it takes to pull off a SIX minute tracking shot. Meaning they used one camera for this entire action packed scene in one, continuous shot, going in and out of rooms and even over a wall in the middle of a massive shootout.” – Red
No. 1 – Game of Thrones
“This was never in doubt and if you’ve even glanced at The 300s over the last few years you shouldn’t be surprised as I’ve written tens of thousands of words about this show. Game of Thrones literally changed TV and it was the last water cooler show we’ll probably ever get. It was the last TV show that completely dominated pop culture and was something you had to watch in real time or risk Twitter spoiling it because we all were watching it at the same time.
It had its ups and downs including the poorly paced final season and the bizarre finale, but GOT changed the preconceived limits of what a TV show could accomplish. At its core though GOT was a show about politics and getting what you wanted either through smarts and wit or by brute force, but it never got away from the pursuit of power and what everyone was willing to do for that power. It created an absolute murderer’s row of iconic characters from the headliners to secondary characters like Petyr Baelish, and Ramsay Bolton, and even short lived ones like Oberyn Martell all lit up the screen with some of the best acting ever seen on TV. Along the way it won a ridiculous 59 Emmys including FOUR by Peter Dinklage for his tour de force acting. A show about medieval knights, long monologues, dragons, and snow zombies sounds like something that should have been cancelled after a month, but Game of Thrones became bigger than pop culture to truly earn its ranking as the best show of the decade.” – Red
IGN – Game of Thrones’ planned prequel series is no longer going forward at HBO. After a pilot for the Naomi Watts-starring series was filmed earlier this year, the network has opted not to move forward with the untitled Game of Thrones spinoff..Set 5,000 years before the events of Game of Thrones, the prequel would have explored the Age of Heroes and likely key historical figures like Bran the Builder — but, notably, wouldn’t feature the Targargyens. Martin had said that while the Starks and direwolves will be featured in the show, it would be a different Westeros than what fans are used to.
The Game Of Thrones universe really has taken a lot of blows over the last 6 months. Yesterday we got news of David Benioff and DB Weiss getting 86’d from Star Wars and now HBO isn’t picking up The Long Night prequel series despite already shooting a pilot.
To be honest a prequel starring Naomi Watts and focusing on characters like Bran the Builder, pre-Targaryens, pre-White Walkers, pre-7 kingdoms didn’t really sound all that interesting. Well, it looks like HBO agreed.
However I am a schill for anything Thrones related so I will watch anything and everything they put out. It would be interesting to see the buildup to the first appearance of the White Walkers and hopefully get some actual meat on the bones around their origin. If you recall this scene from Season 1, Old Nan tells Bran a story about The Long Night, which took place thousands of years before the Game of Thrones we know and love.
A lot of Thrones news has broken this week, including Benioff and Weiss deciding to leave (i.e. got fired) the next Star Wars trilogy they were hired to develop. Benioff and Weiss basically admitted in a recent Q&A not even understanding the GoT characters until they were *forced* to write more scenes due to contractual obligations.
Who admits that?? Seriously, just look at some of the exchanges these two gave.
Two months before the pilot was to air, the episodes were averaging 39 minutes and HBO made then write and film 100 minutes of scenes to meet their contractual obligations. For example, they added a scene with Robert and Cersei – and realized that there was no scene with them.
Dan is saying that he let the actors redefined the roles, esp Maisie and they began writing for the actors, it is like the actor moved into the “house” and redecorated. He said he learned about the characters from the actors.
I understand its supposed to be self deprecating and tweets don’t convey tone and context, which can mean a lot, but these guys are basically confirming what every one of their critics has been hammering them on since Season 8 ended.
It would seem like the next best bet of seeing Thrones on your TV any time in the near future would be HBO picking up the script for George RR Martin’s Targaryen prequel “Fire and Blood,” which takes place hundreds of years before Thrones and focuses on how the Targaryen dynasty came to be.
The series is co-created by @GRRMSpeaking and Ryan Condal. Miguel Sapochnik will partner with Condal as showrunner and will direct the pilot and additional episodes. Condal will be writing the series. pic.twitter.com/9ttMzElgXm
Thankfully, Miguel Sapochnik is attached as executive producer and director which is great news since he directed some of the best Thrones episodes ever. Sapochnik directed Battle of the Bastards (which won an Emmy), Hardhome (wildlings battle with White Walkers), Winds of Winter (Cersei blowing up the Sept), as well as Season 8 eps The Long Night (battle with the White Walkers at Winterfell) and The Bells (Khaleesi destroying Kings Landing).
Yes House of the Dragon is based on the prequel Martin wrote while he was too busy to finish writing the main books that would have saved the TV show. Benioff and Weiss got exposed badly in the last 2 seasons once the play by play directions (and dialogue) from Martin were no longer there. The internet mob has already played judge, jury, and executioner with Benioff and Weiss earning all the blame for the meh Season 8. But Martin should get just as much blame, especially after working with those two guys for a decade. He knew what they were and what they weren’t actually creating and he probably knew the show would take a hit once his playbook wasn’t there for them to lean on. So he decided to write a 736 page history of the Targaryens instead of finishing the only important Game of Thrones story.
What the fuck man?
Thats negligent malpractice on Martin’s part so that final Game of Thrones novel better be the best goddamn book since the Bible.
PS – I know its too closely tied to the show that literally just ended, but give me a mini-series of Robert’s Rebellion and I would watch the shit out of that. Everyone already knows the key characters so you don’t need to spend years building it up. Get in, get out, make a billion dollars.
As much as we blog about the Bruins, and the Patriots, and grown men beating the hell out of each other in the octagon; at the end of the day I am an unabashed nerd. You may have picked up on that from the 20+ Marvel movie reviews we did this year or the 2,500 word dissertations on each Game of Thrones episode. Well, the highlight of every nerd’s year was this week with the annual E3 Convention showcasing all the latest and greatest in the world of video games. The Electronic Entertainment Expo is something on my bucket list as I’ll need to make the mecca to Cali for this event one year. Without further ado, here’s everything you may have missed from the conference.
Halo Infinite
I’ve had an on again off again relationship with Halo over the years due to its platform exclusivity. Back in the days of the original Halo I was a PS2 guy so I would play in my buddy’s dark basement with the chunk black controller. Then I got an Xbox360 and played Halo 1/2 remastered and Halo 4 (3 got lost in the shuffle). Then I moved onto PS4 out of spite after I got the red ring of death so I have not played a Halo game in a minute. So needless to say I don’t know what the hell is going on here, BUT if this game continues to look as awesome as it does already, I could be tempted to pick up the Xbox 5 or whatever the hell Project Scarlett name they ultimately call it.
Platform: Xbox One, Project Scarlett
Release Date: Holiday 2020
Final Fantasy VII Remake
I didn’t get into Final Fantasy until FFX, but obviously FFVII is one of the most popular games of all time. This remake is something they have been talking about for YEARS with it first being announced back in 2015. So while I’m not particularly hyped for it, it looks beautiful and is a great opportunity for people like me to play a classic updated.
Platform: PS4
Release Date: March 3, 2020
Marvel’s Avengers
This is a game that I’ve been very cautiously optimistic about because its a perfect concept for a video game, but there have been so so many bad superhero video games over the years. I know Spider-Man was a massive hit last year and the recent Batman games have been well reviewed, but I still cringe just thinking about the old N64 Superman game or anything that has to do with the Hulk. Theres been next to no information available about this game, but we got our first trailer at E3 this week and I like what I’m seeing. Sure it looks a little wonky because the studio didn’t want to pay the licensing rights to use the actual actors, but other than that it looks pretty awesome so far. What’s most exciting about this game is that we’ll have an ever expanding roster of Marvel characters allegedly. I don’t believe the Marvel movie rights of who they could and couldn’t use applies to video games, but even if they did, don’t forget that Marvel just re-acquired the X-Men. Plus they don’t have to worry about the overarching movie storylines so we could get characters like the Punisher, Daredevil and maybe Deadpool dropping in? But that might be something they tackle in Marvel Ultimate Alliance 3 instead…
Platform: PS4, Xbox One, Stadia, and PC.
Release Date: May 15, 2020
Pokemon Sword and Shield
Everything you thought you knew about the world of Pokémon is about to change…in a big way.
Here’s the latest on the exciting new adventure that awaits in #PokemonSwordShield!
This is something I am stoked for as I haven’t bought a Pokemon game in years, but have been quietly watching from the sidelines. I basically got to a point where I refused to buy another iteration of the Game Boy (because I’m an adult damnit) so I have been waiting, and waiting, for Pokemon to finally enter the world of 3D open world platform gaming. That has arrived with the introduction of Sword and Shield. Not to mention they’ve got a gigantic direwolf looking dog with a sword in its mouth? Just take my money right now.
BEND THE KNEE TO YOUR ONE TRUE KING, KEANU REEVES. I have to say I’m a bit of a Keanu hipster since I’ve been pumping his tires since I first saw The Matrix in 1999. The Matrix, Point Break, and John Wick are some of my favorite movies. It seems like out of nowhere Keanu has become the most beloved man in America and I totally get it (especially with all the stories of his generosity), but it is weird to see a guy I’ve been stanning for years all of a sudden become a mega celeb. Anyways, Cyberpunk looks pretty sweet. Its important to note that this footage shows exactly *zero* gameplay so lets not get too excited. We’ve all fallen for that too many times with Fallout 76, Destiny, Anthem, and No Mans Sky that show incredible hype footage only to release a subpar game.
Platform: PlayStation 4, Xbox One
Release Date: April 16, 2020
Fallout 76 (again)
Speaking of the most panned game of the year, Bethesda is doubling down on the half-assed cash grab they put out last year. For a franchise as beloved as Fallout that relies on single player experiences, open world exploration, character development, and in depth storylines to release a multi-player online only skeleton of a game was heresy to most fans. Well Bethesda said how about we add a battle royale Fortnite mode! Guys lets just accept the L and start working on Fallout 5.
Platform: PS4, Xbox One
Release Date: Coming soon…
Dragonball Z: Kakarot
I’m 30 years old and I still love Dragonball Z. Hell I’ve even debated getting a DBZ tattoo, so needless to say I will be picking up this little gem. Dragonball games have been pretty hit or miss over the years and Dragonball Fighter Z looked pretty slick, but I couldn’t see myself playing a side scrolling fighting game for that long. So for an RPG that looks awesome though and focuses on the storylines that we all (read: I) remember so fondly? Swipe. Swipe.
Platform: PS4, Xbox One
Release Date: Early 2020
The Legend of Zelda: Breath of the Wild [unnamed sequel]
LETS GOOO. Breath of the Wild is truly one of the greatest games of all-time. It created a massive open world that you could literally do anything and everything. Infuriatingly frustrating at times, but fun as all hell once you figured out what you were doing. So to hear about a direct sequel to the first open world Zelda game has me sweating. I had heard rumors that Nintendo was going to re-use the Breath of the Wild engine so they could pump out a sequel quicker, which I am more than ok with. Use the exact same mechanics, reskin the game to create some new maps and environments, and give us some new storylines and we are in business. Unfortunately there was no release date given whatsoever so this game could be a ways off…
Platform: Nintendo Switch
Release Date: Currently “in development”
The Legend of Zelda: Link’s Awakening
I missed a lot of the earlier Zelda games as I was a bigger Sonic, Mortal Kombat, and Pokemon guy before getting baptized by fire with Majora’s Mask. So games like Link’s Awakening were never really on my radar, which was originally a Game Boy title. The graphics of this updated version are gorgeous and the gameplay is clever as hell where it gives you the same Game Boy birds eye view with an updated flair. Very excited to check this one out.
Platform: Nintendo Switch
Release Date: September 20, 2019
Luigi’s Mansion 3
This is another franchise I missed entirely since I never had Game Cube or Wii. I’m still shocked that Nintendo hasn’t opened up an e-shop to download, or at the very least rent, some of their former classics. I know they did it on Wii and as Papa G says, Nintendo basically just tricks people into buying the same game 4 times. While I did miss the first two Luigi Mansions, I’m sure I’ll be able to figure it out. Either way this looks like another entertaining Nintendo romp and gives Luigi some much deserved shine.
Obvious Spoiler Alert: If you haven’t caught up on Season 8 of Thrones yet come back later.
Full disclosure, I know this aired two weeks ago, but my cube life has been consumed with more work than your average bear so lets just roll with it…
After 73 episodes and nearly a decade of television, Game of Thrones came to its long awaited conclusion, after reaching a critical mass in pop culture (to its own detriment) this season.
Name a show that ran as long as Game of Thrones did that ended well. Its not easy to do after years of growing fandom and the expectations that come with it. The Sopranos? I thought my TV died. Lost? Nope. Dexter? *shutters* Hell even Seinfeld’s finale was a disaster.
So a show that started out as a weird fantasy world with politics intertwined into every scene became a media juggernaut and with that came the weight of expectations from not only the diehard fans but now the people that binged the first 7 seasons out of peer pressure just to catch up in time. I did the same exact thing with Lost and it made it so much easier to rip on the show’s missteps and banish it to “garbage tv” when the finale didn’t satisfy my expectations. I think we saw a lot of that this season in Thrones as twitter and Facebook were overflowing with criticism. While I think the show earned plenty of deserved criticism (the goddamn pacing), it also was getting roasted for minutia like a Starbucks cup that nobody noticed until an eagle eye viewer tweeted about it. I’m not here to apologize to disappointed fans, but people need to put their experience into perspective.
You can love a show and criticize it at the same time.
Game of Thrones was an incredible series and probably my favorite show of all time. Thrones has a 9.4 rating on IMDB overall, but the final season was rushed and it will forever bug me how this show could have gone down as the GOAT if they just took the time to work in a few more episodes (or even another season) to properly justify certain character storylines (the Mad Queen) and motivations (Jaimie returning to Cersei).
My only complaint with the final season is that most of the character’s final scenes make sense, but how we got there doesn’t necessarily fit. So lets break down some of the key highlights from the last episode of Game of Thrones.
The shot of Khaleesi with the outstretched dragon wings behind her was just an incredible visual and devilish cinematography.
Jon Snow battled with his love, his honor, and his duty to finally kill Khaleesi and officially become the Queenslayer. Tyrion threw one reason after the next at Jon trying to convince him why Khaleesi needed to die, but even though he knows Tyrion is right Jon can’t bring himself to say it. The only thing that gives him pause is when Tyrion asks what he thinks will happen when his sisters refuse to bend the knee. In the end Jon had to hear it from Khaleesi directly and hear her delusions of grandeur growing as she spoke. Khaleesi, as Tyrion said to Jon, believes she is just and good and is destined to make the world a better place. She doesn’t see it as murdering innocents, she sees it as freeing the people and starting a new world void of tyrants. It kiiiind of sounds a lot like ethnic cleansing as George RR Martin’s Game of Thrones is rife with criticisms of war and what often comes with it. Once he hears the delusions from Khaleesi he knows that she can’t leave that room.
Small criticism here. I know that Jon has been alone with Khaleesi plenty of times and Drogon was laying outside the front door, but where are her guards? Theres not one soldier protecting the new Queen of the Seven Kingdoms? I think that scene would been a little more convincing if Jon had to kill a couple of guards while struggling with his moral guilt, but I suppose its such a powerful reverse course because he has to kill her and *only* her.
In the ultimate irony, Khaleesi never actually sat on the Iron Throne. Tough break.
Visions Are Never Wasted
A+ foreshadowing from the show that became known for never wasting a word or a shot as Khaleesi’s vision from Season 2 of her walking through the Throne room was dead on. Except what we all thought was snow falling for the better part of a decade, was in fact ash.
Drogon Grieves
Drogon melting the Iron Throne was one of my favorite moments in GOT’s long history. Theres a scene from early in the series when Tyrion talks about how dragons were once though to be smarter than people. This was an emotional moment as Drogon senses something is wrong, after Jon stabs her, and flies to the Throne room only to see whats happened before heartbreakingly nudging the lifeless Khaleesi.
Preparing for death by fire Jon readies himself, but Drogon looks at him and then at the Iron Throne before unleashing hellfire on the throne as if to say it was this damn chair that killed her. Pretty brilliant distinction for a dragon to make in that moment.
You want to talk about breaking the wheel, this is how you break the wheel.
Another callback was how they actually decided on the new King because before the episode I was talking with the Mrs. about how Khaleesi never decided on a plan of succession. Back in Season 7 Tyrion tells her about how the Iron Islands pick a leader, how the Nights Watch votes on a leader etc. and she blows him off saying we’ll figure it out once I have the throne. Well they had to break out that plan of secession a lot sooner than Khaleesi would have ever expected.
Tyrion’s Faith Waivers
After following Khaleesi blindly for multiple seasons, Tyrion had begun to waiver a bit in Season 8. He saw the Tarlys burned alive, he learned of Jon Snows true lineage, and he had those treasonous discussions with Varys (before he too was burned alive). Despite all that, Tyrion still felt Khaleesi would “do the right thing.” Well after she went the other way on that one and burned down Kings Landing, Tyrion finally reaches his breaking point when he sees the buried bodies of his siblings underneath the Red Keep. It’s a pretty powerful moment because despite all their flaws, despite the fact that his sister literally wanted him dead, he still breaks down and weeps when he sees what has happened to Jaime and Cersei. They died because of him and breaks him.
I Can’t Believe They Made the Backpack King
In a scene that seemed more Benioff and Weiss than it did Martin, there was a council meeting comprised of the most important lords and ladies of Westeros. There were the Starks, the Vale (including an older Robin Arryn whom the internet got a little too excited about – he’s 18), the unnamed “New Prince of Dorne,” even Yara Grejoy. They all give their thoughts on who should be King, but its a speech from the best actor on the show in Tyrion that unites them all. Rather quickly I might add…
Whether it was a character decision made by the showrunners or a directive from Martin himself I don’t know, but Bran’s transformation into an emotionless (read: sociopath) and largely boring character the past two seasons has been a head scratcher. This massive point in the story would have been a lot more powerful if Bran had ANY sort of character development or at least on screen relationship with any of the other characters. Instead it looks like a guy drawing the short straw to lead the group project that nobody is eager to take on. We never really get a true understanding of why Bran is the Three Eyed Raven, why it matters beyond the fact that he remembers neat history tidbits, or why anyone should really even care. Sure, he is the memories of men, but why does that matter? Why did the Night King want him dead so badly? As The Ringer puts it:
The purpose of Bran’s position as the Three-Eyed Raven, moreover, is only shallowly explained, which seems important when the basis for his assumption of the throne rests on his ostensible role as storyteller. Earlier in Season 8, Bran tells the assembled war council at Winterfell that the Night King wants to kill him because he is the world’s memory. But his predecessor lived isolated from the world, huddled in a cave far beyond the Wall, not sharing that memory with any living human. He’s not the first Three-Eyed Raven, either, Bran reveals, but rather just the latest in a long line of memory holders, The Giver–style. How can we square one Three-Eyed Raven who lives apart from humans and one who rules them, and assume they fulfill the same strategic function?
It is odd for Bran to have gone through so much yet have it mean so little in the grand scheme of things. And I’ve watched enough time travel movies to understand why he can’t just come out and tell everyone what will happen in the future. So when Bran responds to Tyrion’s offer to be King “Why do you think I came all this way?” I don’t really quarrel with that. The people that died to get him there though miiight feel a little different.
Pivoting to perhaps my least favorite character on the show in Bran after years of build up for a sudden twist fell a little flat for me. This is something that required a more thorough build up of Bran’s character and motivations (not someone who literally wasn’t in Season 5) in order to justify. The Ringer again summarized this frustration perfectly:
More importantly, for a show that has disregarded or downplayed so many elements of the fantasy genre since surpassing Martin’s books, the turn to the character most connected to those very fantasy elements at the end underwhelms. If Bran were to become king, why cut him from a full season of the show?
I will say this show is the ultimate when it comes to misdirection. How many times did people mention how Bran was now the Lord of Winterfell only to have the Three Eyed Raven reply he didn’t want it? And how many times did we hear Tyrion and Varys talking about how the best ruler is the one who doesn’t want it? We always thought they were talking about Jon Snow when it turns out it was Bran the Broken.
We all knew Khaleesi had to die one way or the other and I think it would have been a little too predictable for Jon to be made King at this point. So while I don’t like Bran being named King, I would have been just as mad if he did nothing this episode and literally served no purpose for 8 seasons.
It was a little too clean how quickly we went from Jon murdering Khaleesi, to Jon being the Unsullied’s prisoner, to Grey Worm 1.) letting the lords and ladies vote to choose a new King and 2.) immediately listening to Bran because he’s been king for all of 90 seconds.
I will say the show did a great job of wrapping up most of the character’s storylines for better or worse. While the final season was ill paced, every character’s final actions all made sense, just not necessarily how and when they got there. Grey Worm taking the Unsullied to Naath to tell stories of Missandei and retire to a place where the people are peaceful, Arya taking a Stark ship to explore the unknown, Sansa becoming Queen in the North, and Jon going back north of the wall with Tormund and GHOST!
Must have been a tough couple of weeks for the writers to swallow their pride after everyone on the internet ripped them for not having Jon pet Ghost when he left Winterfell. “Just wait two weeks you morons!” Although, after seeing how quickly the Starbucks cup was digitally removed, it would not surprise me if Benioff and Weiss just filmed that scene and threw it in there last minute to appease the masses.
Sansa is and Forever Will be a Boss
They name her little brother King of Westeros, and her first reaction is basically “I love you, I think you’ll be a great ruler, but…No, we are the north. We’ve seen all the nonsense thats come from the seven kingdoms.” Think about it. Sansa’s entire life has been filled with hardships all because of that damn iron chair. Her grandfather and her uncle died at the hands of the King sitting on the Iron Throne. Her father died because he wouldn’t take the Iron Throne from Joffrey (and Cersei). Her brother Robb died trying to avenge their father and overthrow the King from the Iron Throne. As they say, the Stark men don’t fair well in the capital. So it doesn’t matter if the King is her own brother now; the North gained it’s independence, it rebelled against the Baratheons/Lannisters, it overthrew the Boltons, and it resisted Khaleesi. The North will remain independent as it was for thousands of years before the Targaryens landed in Westeros.
I don’t know about you, but I’m turning my attention back to the Game of Thrones books now to fill the hole in my life. I’ve only read the first one so hopefully by the time I finish whats left George RR Martin will have finished at least one new novel. I have to see how Martin decides these same characters get to these decisions or whether they go in an entirely different direction.
Jon Snow and Daenerys Targaryen’s Short Lived Romance
What made the whole Jon and Dany story feel a bit stilted to me really had nothing to do with the writing or the show runners; the two actors just seemingly lacked chemistry. Especially when compared to Jon’s first love interest on the show, Ygritte, which I guess isn’t necessarily fair to compare since Jon and Ygritte literally got married in real life. But hey thats what actors do; they pretend
You could really feel the passion between Jon and Ygritte and all the trials they went through from Jon taking her prisoner, to Ygritte saving his life, to Jon breaking his Nights Watch vows to her untimely death. When Ygritte was killed at the Battle of Castle Black it crushed Jon Snow and changed him forever. I just never felt that passion between Emilia Clarke and Kit Harrington. Obviously it was a storyline that wasn’t too hard to see coming with their romance, their conflict, and her ultimate death, but I never felt like the two characters really dug each other. It had to just be a chemistry thing too because Khaleesi’s scenes with Khal Drogo and even with Daario Naharis felt very real. I know Jon Snow is the brooding, stoic character from the North, but so was Ned Stark and his early scenes with Katelyn Stark just laying in bed together showed a couple truly in love. So I didn’t truly feel that “love is the death of duty” in the finale of Thrones, but thats not necessarily the show runners’ fault.
What was the point of the Night King at all?
Why did the weirwood trees allow Bran to see visions?
The symbols that the white walkers used to seemingly taunt the children of the forest with; what was that about?
What ever happened to Jaquen Hagar?
Why didn’t Aria ever use her Faceless Men tricks after killing all the Freys?
Why
Soo while no show will ever approach Lost territory in terms of unanswered questions, Game of Thrones left me with a lot of loose threads that I though would have at least been referenced. In the end, this whole GOT world shows us just how great of a television series an 800 page novel can become, but the wheels certainly came off a bit when Martin’s guidebooks dried up. Once he stopped plotting the hows and the whys (and a lot of the dialogue word for word), Bennioff and Weiss lost a bit of the shine. It also will forever piss me off that these two hit the Wrap It Up Box on one of the most successful shows of all time so they could write a couple Star Wars movies.
All in all, Game of Thrones started off strong, became one of the most influential shows in television history, and staggered a bit to the finish line, but will forever be remembered as a series that changed television forever.
PS – Peep the poster for Season 1 below… The answer of who would sit on the Iron Throne was IN FRONT OF US THE WHOLE TIME!
The 300s 