Tag: Hulu

2020 In Review – Part I: The British Invasion

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By now the joke of how much of a shitshow the year of our lord 2020 has been played out fifty times over. So I’m not going to dive into it too much beyond saying that living 3/4 of the year on the business end of a global pandemic was not very fun.

The unique nature of such a year did come with an interesting side effect. Forced to stay inside and isolate ourselves, or at least hopefully more than we normally would, we saw the world unfold through our screens more than any other year in memory. I guess it is a bit sad to say it this way, but as we missed out on actually going out and experiencing life, we watched it happen. Through social media, the world wide web, and if you’re anything like apparently 86 year old friend of the blog Patty B, the news, we ingested second hand the major stories of 2020, from the bizarre to the sad to the tragic to an election. And we all saw it in basically real time.

So to put a stamp on this year I’m going to write a few blogs waxing poetic on some of the more major headlines as well as broader topics that caught our attention. In keeping with the tradition of the shit I normally write about, I’m going to skew boring old mainstream topics in favor of the odder, less obvious corners of pop culture. You are not going to read about the NBA rigging the title for it’s biggest cash cow (again) here. You aren’t going to read about your favorite pop star because I probably don’t know who they are. (Editor’s note: Read Joe’s blog on Taylor Swift’s new album here) You aren’t going to read about baseball because I don’t know if it’s still being played (is it?).

However, sports, TV, movies, music, and the like will all be touched in some capacity. I should note that I in no way intend to stick to a chronological order. I have a few things picked out and a few will probably come to me but whether it happened in May or February or two weeks ago I’m going to write it as fingers hit keys. Some of these will be short. Some of them long. All of them proof read at least .5 times. Let’s go.

The British Invasion

I have been teased for awhile now in my group of friends as the guy who watches British TV. To be more accurate I am teased for watching way too much British TV. But to present to you my argument I usually present to everyone else, it’s just better. Depending on the show it’s either highly realistic and reflective of real life or depicts life as a complete caricature of itself, there is no in between. Comedy-wise, There aren’t really any cheesy laugh tracks or bad one liners or tags. The acting is always sublime. When the characters hurt, they hurt, when they love, they love, when they laugh, they laugh. Whether the show is set in a real place or a fictional one, the universe is fully created, from local establishments to barely seen but fully fleshed fringe characters/townspeople. It’s grade A stuff.

Mid-pandemic, the streaming services (at least Netflix and Hulu) were starving for content. American productions had been shut down. I’m sure Netflix at least was suddenly regretting cancelling a number of fan favorites such as The Punisher and The OA. Hulu you could say was almost doubly fucked because they rely now rely on a mixture of views from a smaller but solid slate of originally programming and then the rights to currently airing network shows. Ya, the network shows that were also shut down. So what were they to do? They made a call across the pond.

It’s hard to really pinpoint when Americans became so enamored with British TV, as a novelty even. I remember my grandmother watching super old British “soaps” on the ancient tv in their kitchen growing up, There has always been, as it is true around the world, an American cult following of Doctor Who. But when did we become fully fledged fans? Again, hard to say. Luther came out in 2010 and made it’s way to Netflix not too long after. Teen shows like Skins and The Inbetweeners also found some popularity stateside around that time. Either way, American streaming services and premium providers needed to fill the gaps in their programming in 2020 and boy howdy, did they find the plug.

In a role reversal from the two previous world wars, the Brits were here to save the day. On the Netflix end, they leaned on, for the most part, promoting what they already had. Stalwarts like Marcella and new comers like Sex Education and The End of the Fucking World had put out new seasons within six months of the beginning of quarantine. They, along with less viewed series like Afterlife were given a huge push at the top of the Netflix dashboard/on the “you might like” banners. It was the freshest or fresh-ish content Netflix could provide and they leaned right into it.

On the Hulu side, things were a little more drastic. This summer they promoted and executed a massive upload of new British content to go along with offerings like Four Weddings and a Funeral and Killing Eve. Shows like Brassic and Boyhood were fairly well received and if nothing else, provided a binge worthy arc or two for a rainy, quarantined afternoon.

The premium networks also got into the British game. Debutante network AMC+ bought the rights to Gangs of London, which is now on most best of 2020 lists. They also have the US rights to Baptiste, a spinoff of The Missing featuring the eponymous French detective. HBO came on even stronger, releasing The Third Day while also utilizing the broadcasting rights to the rave reviewed and award winning I May Destroy You as well as investment banking world newcomer The Industry. All of this I find interesting as it is a tangible proof that the premiums are not just going to lie down in their battle with streaming services.

This past month(ish) Netflix put out The Queen’s Gambit, a show about chess of all things, to rave reviews, cementing British TV’s place in American culture. Whether it was always going to be this way or was a byproduct of being stuck inside and having to watch more TV, we’ll never know. I do know, however, in what is a sort of US-centric world pop culture -ise it has been nice to get a glimpse into how other entertainment industries view the every day lives of their countrymen. Hats off to the streaming services and premium channels for finally taking us along for the ride.

-Joey B.

Quarantine Q2 TV Recommendations

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The obvious question here and one that Red immediately brought up IS the fact that we are not remotely close to being in Q2. And that is true, we are not in Q2….of the year. We are however in our second set of three months of quarantine. Our second quarter-year stuck mostly inside lest we infect ourselves and those around us with the virus named after Dom Toretto’s favorite beverage.

The problem with where a lot of us are at in life and in quarantine is that the obvious choices and nominations for our binging pleasure have indeed been binged. There are fears out there that we may even run out of T.V. That is why, spoiler alert, streaming services are already resorting to throwing the metaphorical spaghetti against the wall in the form of uploading shows from other English speaking areas of the world such as the UK and Australia. They are also banking, with some success, that we’ve expanded our horizons enough to have the patience to deal with either dubs or subtitles and have pushed foreign shows to our monolingual asses.

These and a few others make up my second hack at aggregating what’s out there for your viewing pleasure. Enjoy.

Marcella (UK) – Netflix
(This may have been in the last binge blog but deserves another mention)

I may have noted in the past that FOTB Patty Blackouts has television tastes that run between police procedurals and the shittiest of reality T.V (Below Deck is his Sopranos). So needless to say I myself was shocked when I was able to hook him into this one. In Marcella, the titular character is drawn back onto the police force to hunt down a serial killer who has returned, despite the fact that her personal life is falling apart and she herself is in the throes of a perpetual psychotic break. If you like “The Girl With the Dragon Tattoo” you’ll like the familiar Nordic noir feel of this one, set in England and the UK aboard.

Dark (Germany) – Netflix

Grenga: Dark is a highly binge-able Sci-FI show, assuming you can get past the dubbing. It’s a mysterious ride through time that centers on 4 families in a small German town that is also home to a nuclear power plant. The first season is definitely confusing, but once you start to connect a few dots you can’t help but watch more. I haven’t finished the third season yet, but so far the show has lived up to it’s 95% Rotten Tomatoes rating.

Ladhood (UK) – Hulu

Hulu decided to just blatantly stage a British invasion of their platform, almost admitting they were running out of shit to promote. Ladhood might be the best of the bunch. In this interesting take of a coming of age tale, emotionally stunted, early-30’s Londoner Liam is probably a little more broken than he cares to admit (sound familiar). He tries to determine how this came to be by visiting scenes from his teenage years in Northern England, taking part as an audience member unseen by his younger self or friends as well as breaking the fourth wall to try and provide context. While it didn’t quite live up to what I wanted it to be it was a cool idea and definitely worth a watch. Here’s hoping for more seasons post-rona.

Hightown – Starz


We come back to Massachusetts for this round of attempted Boston accents and a fresh take on the opioid epidemic. Based on the Cape with a specific interest in Provincetown, Hightown centers on Jackie, a “fish cop” (National Marine Fishery Services Agent) who wants to have her cake and eat (snort) it too, enjoying all the carnal pleasures of living in PTown, New England’s gay capital, while investigating a murder off the books. Her moonlighting intersects with and gets in the way of an annoyed Statie Detective, Ray, whose not totally legit investigation into a drug trafficking ring is related to Jackie’s own search.


Stateless  (Australia) – Netflix

Fuck. A. Duck. Not only did I not see this one coming but when it arrived I did not expect to care. But here we are. This emotional, perfectly acted, gripping miniseries follows four separate but intertwined characters at an Australian detention center for refugees – an Aussie who thanks to a cult causing a psychotic break thinks she’s German; a guard who took the well-paying, government funded job with the center’s contractor to give his family a better life; a bureaucrat who is trying to keep the center’s as well as the refugee detention policy’s reputation above water, and an Afghan refugee desperate to give himself and his missing family the life he dreams for them. You can only imagine.


The Umbrella Academy – Netflix

Red: I’ll have a full blog about this later as I just finished season 1, but The Umbrella Academy is a quarantine must watch for anyone who’s into sci-fi, graphic novels, time travel, and just generally weird shows. You definitely have to kind of go with it in this show since it really leans into the weirdness, but hey that’s to be expected when you base a show off a comic written by the lead singer from My Chemical Romance.

Gomorrah – HBO Max

First things first from what I understand if you have HBO you probably have HBO Max for free although the Home Box Office has done a terrible fuckin job rolling this thing out. Anyway, I won’t try and lie, I’ve never watched Gomorrah. But I’ve been told it’s actually one of the best shows out there and I saw recently it was ranked the #5 foreign show of the decade. By the New York Times maybe? Anyway here’s the wikipedia rundown:

“Set in the suburbs of Naples, Italy, the crime drama goes inside the Camorra, a fierce Neapolitan crime organization led by Pietro Savastano. The story is told through the eyes of Don Pietro’s right-hand man, Ciro Di Marzio, whose faith in the family is tested when he realizes how far Don Pietro is willing to go to keep his power.“

“F” Is For Family – Netflix

This serves as more of a reminder that a new season of Bill Burr’s hilarious cartoon dropped during quarantine. The lightly-autobiographical tale of a working class family in the 70’s remains absolutely hysterical, something we all need right now.

The Sopranos – HBO

WATCH THE FUCKING SOPRANOS YOU UNAMERICAN FUCKS.

Binge Prospectus – Q1 2020

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So I’m going to purposely eschew writing a gigantic intro here because I think the blog itself is going to be long enough already. But a few notes:

  • Any titles in Bold I’m giving a must watch label.
  • Just listing movies with no description because this is more about shows and docs.
  • I’m putting all documentaries at the bottom so if you are into non-fiction go there.
  • The timeline might not always add up here. As in, it’s Q1 2020 and I might go all the way back to some times 2019 if I don’t think the show/movie has been addressed on the blog before. Or if a reminder might be warranted.
  • On that note ” ** ” denotes that this is not the first season of a show or that I feel the need to address it possibly out of left field.
  • You’re about to read about a lot of British shit. I know, I’m kind of an anglophile when it comes to T.V. But that doesn’t change the fact that Netflix, Hulu, and the Premiums have dumped a ton of money into UK #content that is often very good.
  • Not all of these are “full” reviews. By this I mean not all of the shows, in particular, that I am going to discuss have been finished by myself or another member of the staff. We however, out of the goodness of our hearts, at least started them in order to offer our take. Your welcome.

Let’s do it.

Streaming
Netflix

“The Witcher” (Series, US)
Red and one of our other buddies have watched this and recommended it. I started and was a bit lost but I’ve been told that could totally be an issue if you haven’t played the game or read the book(s) to some extent. Either way, I think it a good option for anyone who is on the “willing to ‘s’ a ‘d'” end of the spectrum in terms of GOT/fantasy show withdrawals.

“Messiah” (Series, US)
Think “Homeland” meets well, the second coming of Christ. In this kind of bizarre show a CIA agent (Michelle Monaghan) tracks a man from the Middle East who might have some serious terrorism connections but also might be God. It gets almost campy at times but is a good overall watch

“The Society” (Series, US)
An interesting application of Lord of the Flies or possibly more accurate, the Stanford Prison Experiment, theory. A group of High Schoolers get brought home from a field trip before they ever get there to find their town abandoned. They basically have to form their own new “society” (nudge) complete with their own system of government that absolutely has no teenage dramage involved whatsoever. Guilty Pleasure score of 1000000.

“The End of the F***** World” (Series, UK) **Season 2
Season 2 catches us up with James (maybe?) and Alyssa. It is a just as enjoyable, albeit not as fresh, serving of this dry, bleak, British dark comedy about two depressed teenagers.

“The Stranger” (Limited Series, UK)
I think I’ve talked about Harlan Coben’s partnering with Netflix before but I’ll provide some context anyway. Or skip to paragraph two now. Basically, Harlan Coben is an award winning novelist of what is described as “domestic thrillers”. What this means is that unlike a lot of thriller novels, his characters are not, necessarily, cops or private eyes or political figures, etc., trying to catch a bad guy. They could be, for instance, doctors or businessman whose wives/daughters have disappeared, etc.

This is the third time out for Coben and Netflix and again they’ve nailed it. While I would say it is the third best behind the “The Five” and “Safe”, that also just isn’t fair considering how good the first two were. In this offering, A family man is approached by a mysterious “stranger” (nudge) with a cryptic message regarding his wife. Then everything kind of goes to hell.

“Sex Education” (Series, UK) **Season 2
To be perfectly honest I don’t totally remember what happened at the end of S1 except that the whole thing was a really good, very funny at times story about a teenager that takes a page out of his shrink mother’s book and starts making cash giving his classmates sex advice. S2 deals with a lot of the same things as S1 did.

“The OA” (Series, US)**Season 2
The second, and sadly now last, season of this head-fuck of a show takes you on another journey of questioning the meaning of life, death, consciousness, and memory. Absolutely sucks they cancelled it.

Movies

  • “Shotcaller”
  • “The Captive”
  • “Blue Valentine”
  • “In the Shadow of the Moon”

Hulu

“Killing Eve” (Series, UK)**Season 2
Another killer season of the drama based around a American working an admin job for British intelligence (Sandra Oh) who becomes obsessed with catching a psychotic but bemused assassin (Jodie Comer) who develops an affinity for her as well.

“Letterkenny” (Series, Canada)**Lots of seasons
The best way I’ve been able to describe “Letterkenny” is a cross between “Napoleon Dynamite” and “Trailer Park Boys” with a touch of “Rain Man”. Take that for what it’s worth but prepare to laugh your ass off while watching this one about a smarter-than-they-look group of farming friends and the small, cliquey, Canadian town they inhabit

“Top of the Lake”** (Series, Australia/UK)
This is a “late to the party” suggestion as this UK/Australian venture had two seasons released in 2013 and 2017 but is still catching on here in the States. The show follows a police detective (Elisabeth Moss, who won an Emmy for her performance) as she solves a twist-heavy mystery per-season all while keeping her past compartmentalized.

“High Fidelity” (Series, US)
The John Cusack-starring-movie-based-on-the-book-of-the-same-name is adapted now into a show. This time our lead is Zoe Kravitz as Robyn “Rob” Brooks, a record store owner decimated by her last break up and hoping to find out where things went wrong in a semi-“How I Met Your Mother”/”Lovesick” style. The quirky humor and character’s penchant for breaking the fourth wall make this as intoxicating as the whiskey (neat) they drink.

“Four Weddings and a Funeral” (Limited Series, UK)
I’ve never seen the movie this is adapted from but this one-season-only tale of a group of late-20 somethings has just enough of post-college “what the fuck am I doing?”-ness to make it another must watch. Sure it’s mostly a romcom but it’s a cheesy good watch.

“The Accident” (Limited Series, UK)
I’ll admit I’m only one “part” into this four part series from Britain’s Channel 4 (from what I understand they have the BBC and Channel 4 and that’s it?). With that said. It’s insanely gripping. On one hand you have a local tragedy. On another you have a corporate/industrial fuck up of epic proportions that has some degree of cover up forthcoming. And in the middle you have all the emotions pooling together.

Movies

  • “The Party’s Just Beginning”
  • “Drinking Buddies”

PS – PSSSSSSSSSSSSSTT “The O.C” is on Hulu

Amazon
Blogger’s Note: I collected a couple recs for Amazon but don’t have it so this is going to be brief.

“Jack Ryan” (Series, US)**Season 2
If you don’t know who Jack Ryan is he basically is the American answer to James Bond but from humbler beginnings. This show I’m told kicks ass.

“The Boys” (Series, US)
This show is getting a ton of pop right now. It’s a superhero show where the good guys fight back against the bad guys and both sides are superheroes? I’m not too sure from there but I have friends who aren’t even into that shit and love it.

“The Marvelous Mrs. Maisel” (Series, US)** Season 4?
This one was a hit from the jump. In the wake of her marriage crumbling a woman tries stand up and fucking crushes.

The Premiums

“His Dark Materials” (Series, HBO)
If there were two words in the English language I would grade as impossible to define without a 45 minute thesis defense, it would be 1.) irony and 2.) steam punk. But I’m pretty sure HDM is kind of steam punk, or sort of 19th/18th centurish with insertions of modern to futuristic technology? Right? Fuck man idk but there’s some magic in there too and James McAvoy is dreamy.

“The Dublin Murders” (Limited Series, Starz)
This UK offering was alllllllmost what I needed it to be which was a crime/mystery in the vain of the Coben series’ and “The Missing”. Instead it is sort of like “The Night Of” where instead of fully investing itself in being a whodunit, it examines exactly what the people involved in a whodunit truly go through. While TNO looked at this from the suspects’ POV, TBM looks at it from the victims’ and their families’.

“Chernobyl” (Limited Series, HBO)
A look at what really (possibly?) went on behind the scenes of the infamous nuclear disaster.

Documentaries

“McMillions” (Series, HBO)
The saga of how a group of people were able to basically/kind of defraud McDonald’s of millions based off of the fucking monopoly game. I mean, wow. Seriously interesting though.

“The Devil Next Door” (Series, Netflix)
It is discovered that retired,, blue collar Polish immigrant living in Michigan was a sadistic Nazi death camp guard…..or was he?

“Operation Odessa” (Movie, Showtime)
The story of how a crooked Miami business, honcho for the Cali Cartel, and a Ukranian gangster almost acquired A MOTHAFUCKIN SUBMARINE for the cartel to use to transport product. Insanity.

The 300s Top 30 TV Shows of the Decade

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With so many options to watch TV like Netflix, Hulu, Disney+, HBO Go, Amazon Prime, YouTube TV, Apple TV+, ESPN+ and more coming, its no surprise that a huge chunk of the shows below are not on cable. As they say, the Streaming Wars have begun.

This list is comprised of picks from the staff where we ranked our Top 15 shows with No. 1 getting 15 points all the way down to No. 15 getting one point. Rankings are based on each show’s aggregate score, which seemed like the fairest way to do it. Apologies to all the shows forever in my queue, but I haven’t seen some of the more acclaimed shows like The Wire, The Leftovers or Atlanta so that hurt their overall scores. So sue me, theres a billion shows to watch and I spend approximately half my time scrolling through just trying to decide what to watch.

Also it was a Sophie’s choice of TV to pick from so I made the difficult decision of ruling that any show on this list had to have premiered in 2010 or later to truly make it a show of this decade. So no Breaking Bad, Mad Men or Lost.

Now lets get to the Top 30 shows of the decade!

No. 30 – The Missing/Rick and Morty/Making a Murderer/Trial and Error
No. 29 – Crashing
No. 28 – Narcos

“If Game of Thrones put him on the map this is the show that launched Pedro Pascal into the next stratosphere. Just an excellent Netflix original about two DEA agents taking down Medellin drug kingpin Pablo Escobar.” – Red

No. 27 – House of Cards

“It’s easy to forget about this show at this point, considering how far it went off the rails and Kevin Spacey’s cancellation, but this show was a game changer. When a two-time Academy Award winner got involved with an online streaming show, that was a sign that streaming television offerings would be worthy of our attention.” – Big Z

No. 26 – Big Mouth

“One of the funniest shows on Netflix, Big Mouth is unapologetically filthy and does a great job capturing a very specific time in all of our lives.” – Big Z

No. 25 – Homeland

“This show emerges from the ashes of the height of the Iraq/Afghanistan conflicts and follows CIA agent Carrie Mathieson as she tries to stop various terror threats before it’s too late, all while keeping a fairly substantial personal secret.” – Joey B

No. 24 – Master of None
No. 23 – Westworld
No. 22 – BoJack Horseman
No. 21 – Billions

“Think “Heat” but with a stock market genius that toes the line or complete disregards it and a US Attorney starving to nail him for it. All sorts of hijinx and side characters add quite the spice to this Showtime great.” – Joey B

No. 20 – The Leftovers
No. 19 – Vice Principles

No. 18 – Lovesick

“One review said Lovesick was “what How I Met Your Mother could have been” and I think that is deadly accurate. Basically a guy finds out he has the clap and needs to inform all previously partners. While he works through that list he simultaneously tries to decipher why love has evaded him so far.” – Joey B

No. 17 – Parks and Rec
No. 16 – Stranger Things
No. 15 – Shameless

“It has waxed and waned post-season 4 or 5ish but still delivers. The saga of the poverty-stricken but street smart Gallagher clan on the south side of Chicago will make you laugh and cry in the same episode.” – Joey B

No. 14 – Daredevil

“Hands down the best depiction of the Marvel Cinematic Universe ever put on TV. Now its worth noting a lot of those live action shows were hot garbage (couldn’t make it through the pilot of Iron Fist) and they all ultimately got cancelled, but I think that had more to do with the Streaming Wars than the quality of the shows. Daredevil is so good it will make you forget how much you hated that character after the disastrous Ben Affleck movie. Charlie Cox is the catholic with a conscience fighting crime facing off against Vincent D’Onofrio as the completely unhinged Wilson Fisk. Plus this show gave us the criminally underrated Jon Bernthal Punisher.” – Red 

No. 13 – Peaky Blinders

“I consider this the best show currently on TV. Cillian Murphy (the Scarecrow in “Batman Begins”) is a WWI vet who has returned home to Birmingham, England fairly recently and now runs his family crime syndicate using both brute force and his intimidating intellect.” – Joey B

No. 12 – Jack Ryan

“This Amazon Prime show only started in August of 2018 and already skyrocketed up to No. 12 on this list because its that good. Granted 13 Hours and The Quiet Place helped people forget about John Krasinki as Jim from The Office surprisingly quick, but Jack Ryan turned him into a bonafide action star.” – Red

No. 11 – Banshee

“The best kept secret (who the fuck watches Cinemax but not for softcore porn?) of the decade. Basically a Gomorrah of blood, gore, and nudity based around a master thief who gets out of prison and assumes the identity of a bordering-amish country small town sheriff.” – Joey B

No. 10 – Boardwalk Empire

“This is a show that for whatever reason never got the same hype as a lot of other titles on this list, but it had some of the best writing on TV with The Soprano’s Terence Winter leading the ship. It stars a perfectly cast Steve Buscemi as a corrupt politician/bootlegger turned full blown gangster. Not to mention A+ performances from Michael Shannon and Michael Kenneth Williams as flawed, morally ambiguous characters on both sides of the law.” – Red

No. 9 – Black Sails

“I wrote a whole blog about Black Sails and how I believe it got no love because people assumed it was trying to ride GOT’s coat tails with the English accents and old timey-ness (it started the same year). Either way this television precursor to Treasure Island involving pirates and colonialism was an honest to God achievement.” – Joey B

No. 8 – The People v. O. J. Simpson: American Crime Story

“Even in the age of DVR this miniseries was appointment viewing. What could have easily been an extended SNL sketch featured some superb storytelling and acting. Sterling K. Brown’s performance was a highlight for me, but is was also probably John Travolta’s best work in a long, long time.” – Big Z

No. 7 – Broad City

“Broad City was basically Girls without all the preachy millennial commentary. Where Girls oftentimes embarrassed you to be a millennial, Broad City reminded you how fun it could be to be broke in the city with your best friend just getting into weird shit.” – Red

No. 6 – Watchmen

“This HBO original hasn’t even finished its first season yet and thanks to Papa Giorgio and I, its already made it to No. 6 on our top shows of the decade. Its that good. I never read the comic book, but if the 2009 Zack Snyder movie even vaguely interested you, this show is 100x better and worth the 9 hours. The show is helmed by Damon Lindelof, who I have absolutely FLAYED over the years for how badly Lost went off the rails at the end, but he has come back strong with The Leftovers and now has hit a grandslam with Watchmen. Lindelof learned from all the mistakes he made along the way to create another complex, political, downright weird world while still leaving all the breadcrumbs to tell a completely engrossing story. The penultimate episode even accomplished the rare feat of nailing time travel as Lindelof tells a story across multiple timelines in a completely coherent way.” – Red

No. 5 – Nathan for You

“Nathan For You is my comedy of the decade. It’s premise is pretty simple: Nathan Fielder presents terrible ideas to businesses with a straight face to boost sales/revenue. Fielder tricks real people into following along with his schemes and hijinx ensue. Whether it be convincing a realtor to rebrand as a “ghost realtor,” hiring a Michael Richards lookalike to leave a large tip at a restaurant to get the restaurant publicity, or conning a Best Buy employee into divulging company secrets in order to help a mom and pop electronics store sell TVs, Nathan For You is the perfect reality show we never knew we needed.” – Papa Giorgio

No. 4 – Better Call Saul

“Possibly the greatest spin off in TV history. Bob Odenkirk is outstanding in this fascinating look at Jimmy McGill’s transformation into Saul Goodman. This show moves a little slower than Breaking Bad, which means it would be great to binge if you haven’t been on board since Day 1. A benefit of that slower pace is a more thorough look at much of what was going on in the background on Breaking Bad. So while it’s not a thrill ride every week, it is a very satisfying character study.” – Big Z  

No. 3 – Veep

“In a long history of comedy excellence at HBO, Veep might be its finest offering. Julia Louis-Dreyfus leads an outstanding cast and took home SIX straight Emmys for her portrayal of Selina Meyer. The show won three straight Emmys for best comedy and will be heavily featured when CNN gets around to the TV episode for it’s inevitable 2010’s miniseries in a few years. Veep also boasted some of the best insults in TV history.” – Big Z 

No. 2 – True Detective: Season 1

“If there is one show that defined appointment TV before streaming completely took over the world it is True Detective. The first season was incredibly acted, directed, and told a story across timelines seamlessly. This was a show that Papa Giorgio and I started watching on a borrowed HBO Go account, which meant we had to wait an hour after it originally aired. But we became so enthralled with the show we couldn’t risk Twitter ruining who the Yellow King was for us. So we legitimately bought HBO the day of the finale so we could watch it live. And because it was a self contained anthology series you knew it was all going to come to an end after one season leading to the most fun I’ve had watching TV this decade.

Not to mention, if you’ve so much as tried to film an IG Story you can appreciate the creativity and skill it takes to pull off a SIX minute tracking shot. Meaning they used one camera for this entire action packed scene in one, continuous shot, going in and out of rooms and even over a wall in the middle of a massive shootout.” – Red

No. 1 – Game of Thrones

“This was never in doubt and if you’ve even glanced at The 300s over the last few years you shouldn’t be surprised as I’ve written tens of thousands of words about this show. Game of Thrones literally changed TV and it was the last water cooler show we’ll probably ever get. It was the last TV show that completely dominated pop culture and was something you had to watch in real time or risk Twitter spoiling it because we all were watching it at the same time.

It had its ups and downs including the poorly paced final season and the bizarre finale, but GOT changed the preconceived limits of what a TV show could accomplish. At its core though GOT was a show about politics and getting what you wanted either through smarts and wit or by brute force, but it never got away from the pursuit of power and what everyone was willing to do for that power. It created an absolute murderer’s row of iconic characters from the headliners to secondary characters like Petyr Baelish, and Ramsay Bolton, and even short lived ones like Oberyn Martell all lit up the screen with some of the best acting ever seen on TV. Along the way it won a ridiculous 59 Emmys including FOUR by Peter Dinklage for his tour de force acting. A show about medieval knights, long monologues, dragons, and snow zombies sounds like something that should have been cancelled after a month, but Game of Thrones became bigger than pop culture to truly earn its ranking as the best show of the decade.” – Red 

Seinfeld is Headed to Netflix. LETS GOO

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Hollywood Reporter – Seinfeld will be master of a new domain starting in 2021. Netflix has landed worldwide rights to the iconic sitcom in a five-year deal with distributor Sony. The show will move from current rightsholder Hulu when its deal is up in 2021…First reported by the L.A. Times, the deal will bring Seinfeld’s global streaming rights under one roof for the first time. Hulu’s current $150 million-per-year deal is for domestic rights only; Amazon has held rights in most other territories around the world…”Seinfeld is the television comedy that all television comedy is measured against,” said Netflix chief content officer Ted Sarandos. “It is as fresh and funny as ever, and will be available to the world in 4K for the first time. We can’t wait to welcome Jerry, Elaine, George and Kramer to their new global home on Netflix.”…Acquired series like Seinfeld, Friends and The Office are huge drivers of usage on streaming platforms. Nielsen consumption data for 2018 said Netflix users in the U.S. watched about 85 billion minutes of The Office and Friends — the equivalent of about 25 hours for every Netflix subscriber in the country.

This is a Power. Move. by Netflix after losing all the Marvel properties due to the mouse launching its own streaming platform in Disney+. Oh we can’t have Iron Man 3 anymore? Alright, well I guess we’ll just go acquire the most popular TV show of all time. Imagine being good enough at anything that people will pay to watch you? Now imagine being so good that people (Netflix) will pay ($150M per YEAR) to watch you from 20 years ago. Mind boggling shit.

Seinfeld and The Simpsons have shaped my sense of humor more than any other TV show, movie, stand up comedian or any other form of pop culture in America. I can make a Seinfeld or Simpsons reference for anything and do so just about every day, much to the chagrin of my family and friends. I actually went out of my way one time to go meet the Soup Nazi in downtown Boston a couple years back.

There are few shows better suited to 11 pm reruns than Seinfeld. A 22 minute episode with multiple plot lines where I can zone in and out and fall asleep watching reruns from 20 years ago. Granted Seinfeld is on about 75% of the time I’m home on a channel somewhere anyways, but thats besides the point. Now I can watch any episode of Seinfeld at any time and that is exhilarating for a couch potato such as myself.

Netflix *really* needs to invent a random next episode option though because there is nothing worse than searching for an episode to watch. How many people spend more time browsing Netflix than actually watching Netflix? Its why theres 50 things in my queue that I never intend to actually watch. I don’t know what episode I want to watch, just play something goddamnit.