Tag: HBO Max

The Snyder Cut is Finally Here and It Delivers

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I originally intended to watch Zack Snyder’s definitive edition of Justice League in multiple viewings due to its ungodly 242 minute runtime. But I have to admit, once I got going it sucked me in and I ended up banging out the entire #SnyderCut in one sitting because it delivers big time.

The difference between the Joss Whedon theatrical release (which some people that are more clever than I have dubbed Josstice League) and the Snyder Cut is night and day. Granted it’s twice as long, but it’s broken up into six parts (not including the prologue and epilogue) which lend some credence to the rumors that HBO Max considered releasing it in weekly installments rather than all at once. Now if you’ve never seen the theatrical release you may just think this is a four hour masturbatory act from Snyder and I wouldn’t necessarily fault you for that assumption, but this just may replace Blade Runner’s Final Cut as the definitive example of a Director’s Cut.

So we all know by now that DC was trying to replicate the massive success of the Marvel Cinematic Universe, which continues to run laps around DC with the also massive success of WandaVision on Disney+. However, this is 13 years in the making with the first Iron Man coming out all the way back in 2008 followed by The Incredible Hulk, Iron Man 2, Thor, Captain America THEN the first Avengers movie.

The biggest misstep DC made was releasing a very strong Man of Steel movie, an OK Batman vs Superman movie (that I often forget Wonder Woman is actually in), and then immediately jumping into Justice League with the addition of Aquaman, the Flash, and Cyborg. With only two of the six characters fully developed it was kind of a tall task to jump straight into team movie, introduce a new villain, and then bang it all out in 2 hours. Now I’m not saying you need to painstakingly recreate every single character arc because we all know Bruce Wayne’s parents were gunned down in front of him as a kid, and Peter Parker’s Uncle Ben was killed because of Spider Man’s carelessness. We don’t need to see that explained all over again, but Batman, Superman, and Spider Man are the three biggest superheroes in the entire history of the comic book genre. Not everyone knows the back story of Aquaman (all my knowledge is from the Vinny Chase movie in Entourage), the Flash (unless you’re a big CW fan), or Cyborg (best known from the cartoon Teen Titans, IMO).

In the original theatrical version all three of those characters get put on the back burner so you never really have time to care about them. With the opportunity presented by a four hour movie, Snyder really dives into the back story of all three, particularly Cyborg, and gives you a reason to want to see these characters succeed. Plus it also does a much better job teasing the Aquaman and Flash standalone films.

It’s hard to get into too much detail as to why the Snyder Cut is so much better without spoiling a lot of what made the cut so enjoyable so I encourage you to watch it before Twitter spoils it. I can say that the quippy Joss Whedon dialogue got axed, the motivations of many characters have changed (for the better), Darkseid is actually, ya know, in this movie, and gone is the unsightly red sky plastering the final act in the original. The new cut is overall darker (both visually and thematically), more violent, more serious, and is even rated R (yay F bombs!). So it is much truer to Snyder’s original version. But to be fair even if he had finished the movie originally, Snyder would have never been allowed to release a four hour R-rated tentpole superhero flick. So while what he has accomplished here is huge, it’s important to keep in mind that he was able to move the goal posts a bit, a luxury which he or Whedon would not typically have had.

I cannot believe how different this movie is after Snyder allegedly filmed only four minutes of additional footage in his reshoots. Granted Snyder had a whole series of DC films planned for what was dubbed the Snyder Verse so there was a lot left on the cutting room floor that he was able to just pick back up. There are also tons of easter eggs and threads (like what actually happened to Robin) that are finally pulled on here just to tease viewers in the name of fan service. 

Now comes the inevitable question of “what if?” What if Joss Whedon never came on board and Snyder had been able to finish his original vision? Would the DCEU have never collapsed on itself and would we already be discussing Justice League 3, the Ben Affleck standalone Batman film, and a potential Jared Leto Joker spinoff? DC has to have known (hoped?) this would be the case and provide new life to an IP that was on ice after critical and commercial indifference. It is kind of a bummer because Snyder fully pulls back the curtain to show us what he was working on and we’re unlikely to ever see that vision realized. The new Knightmare dream scene that is towards the end of the movie (rather than earlier on in the original) is a perfect example of this. But hey, I never thought the internet would ever be able to bully a major studio into investing tens of millions of dollars into a reshot, recut version of a failed tentpole film, and here we are.

I really want to kick down the doors at DC right now and give them the Herb Brooks Miracle speech about great opportunity. That’s what you have here tonight, boys. I’m sick of hearing about what a great cinematic universe Marvel has.

Through their own failures DC has accidentally stumbled into an amazing opportunity here with the multiverse. They can finally stop trying to replicate the Marvel Cinematic Universe. It didn’t work, it happens. With the multiverse DC can simply make all of these random one off films and individual stories with different actors and just punt on a shared universe until they decide to bring everyone together again. It’s something DC has already test run on its various TV series with the Crisis on Infinite Earths event where they even brought back my dude Tom Welling for a brief Superman cameo. If rumors about the upcoming Flash standalone movie are to be believed then DC is really going to lean into that exact mindset with the multiverse as multiple Batmen are allegedly set to appear in the film.

Watching the Snyder Cut is a trippy experience because even the opening minutes are entirely different from the original version with previously unseen footage. I felt like I had Alzheimer’s because in my head I know I’ve seen Justice League multiple times but now it’s…different.

Admittedly, my viewing of the Snyder Cut may be seen through rose colored glasses after 3+ years of the internet lobbying for and then somehow actually getting a completely recut and reshot version of beloved IP. And it worked! Now do Game of Thrones.

Warner Brothers Just Changed the Game. Will Release Every New Movie On HBO Max in 2021

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Holy smokes. Even with the film industry cratering due to the pandemic, I never thought I’d see the day a major movie studio would bite the bullet and start releasing blockbuster movies straight to streaming. It’s like the legal version everyone my age dreamed of after growing up pirating movies off Napster and Kazaa. Allegedly.

It all starts with Wonder Woman 1984 being released in theaters and on HBO Max at the same exact time on Christmas Day. I cannot overstate how MONUMENTAL of a shift that is in the movie industry. Who knows if this will last beyond 2021, but this is an awesome test because we’ve all seen media move towards streaming more and more the last few years. Sure, there are some movies that you really would prefer to see on the big screen, but with 50 inch 4K TVs selling for like $250 these days, it has become less important. And not to go completely dark on everyone, but with Covid and more and more mass shootings popping up, it’s completely understandable if you’d rather watch a movie from your couch. Especially with movie tickets going for like $20 a pop at this point.

How this all works financially I’m not exactly sure yet. I know the studios held out for as long as they realistically could as they pushed the premiere dates of movies like Wonder Woman, which would bring in hundreds of millions of dollars in normal times. As Papa Giorgio pointed out, WB actually owns HBO Max so they’re essentially using this as an incentive to bring in new subscribers. I guarantee you they get more subscribers than they would have before when the biggest benefit to having HBO Max was being able to watch Fresh Prince re-runs and the upcoming Justice League Directors Cut. Both things I will watch, but not something the typical consumer is throwing their credit card at you for.

Now we’ll be able to watch Dune, Wonder Woman, Suicide Squad, The Matrix 4, Space Jam and all kinds of stuff right from home. Maybe it’s because I’m an introvert, but that sounds amazing to me.

It is a risky strategy because all of these movies will come “at no extra cost” (until they raise the price like Netflix does twice a year). So I don’t know if they just got past a point where it’s more economical to just stream it and try to recoup some money through subscriptions rather than hold out hope, push release dates even further, and possibly lose incredibly valuable buzz. I mean Papa Giorgio and I joke all the time how we would’ve paid like $75 bucks just to watch Tenet on streaming because we weren’t about to go to a theater. But for now this is an incredible shift in the typical way of doing business.

It remains to be seen if any other major studios follow suit, but I wouldn’t recommend investing in movie theater chains any time soon.

Quarantine Q2 TV Recommendations

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The obvious question here and one that Red immediately brought up IS the fact that we are not remotely close to being in Q2. And that is true, we are not in Q2….of the year. We are however in our second set of three months of quarantine. Our second quarter-year stuck mostly inside lest we infect ourselves and those around us with the virus named after Dom Toretto’s favorite beverage.

The problem with where a lot of us are at in life and in quarantine is that the obvious choices and nominations for our binging pleasure have indeed been binged. There are fears out there that we may even run out of T.V. That is why, spoiler alert, streaming services are already resorting to throwing the metaphorical spaghetti against the wall in the form of uploading shows from other English speaking areas of the world such as the UK and Australia. They are also banking, with some success, that we’ve expanded our horizons enough to have the patience to deal with either dubs or subtitles and have pushed foreign shows to our monolingual asses.

These and a few others make up my second hack at aggregating what’s out there for your viewing pleasure. Enjoy.

Marcella (UK) – Netflix
(This may have been in the last binge blog but deserves another mention)

I may have noted in the past that FOTB Patty Blackouts has television tastes that run between police procedurals and the shittiest of reality T.V (Below Deck is his Sopranos). So needless to say I myself was shocked when I was able to hook him into this one. In Marcella, the titular character is drawn back onto the police force to hunt down a serial killer who has returned, despite the fact that her personal life is falling apart and she herself is in the throes of a perpetual psychotic break. If you like “The Girl With the Dragon Tattoo” you’ll like the familiar Nordic noir feel of this one, set in England and the UK aboard.

Dark (Germany) – Netflix

Grenga: Dark is a highly binge-able Sci-FI show, assuming you can get past the dubbing. It’s a mysterious ride through time that centers on 4 families in a small German town that is also home to a nuclear power plant. The first season is definitely confusing, but once you start to connect a few dots you can’t help but watch more. I haven’t finished the third season yet, but so far the show has lived up to it’s 95% Rotten Tomatoes rating.

Ladhood (UK) – Hulu

Hulu decided to just blatantly stage a British invasion of their platform, almost admitting they were running out of shit to promote. Ladhood might be the best of the bunch. In this interesting take of a coming of age tale, emotionally stunted, early-30’s Londoner Liam is probably a little more broken than he cares to admit (sound familiar). He tries to determine how this came to be by visiting scenes from his teenage years in Northern England, taking part as an audience member unseen by his younger self or friends as well as breaking the fourth wall to try and provide context. While it didn’t quite live up to what I wanted it to be it was a cool idea and definitely worth a watch. Here’s hoping for more seasons post-rona.

Hightown – Starz


We come back to Massachusetts for this round of attempted Boston accents and a fresh take on the opioid epidemic. Based on the Cape with a specific interest in Provincetown, Hightown centers on Jackie, a “fish cop” (National Marine Fishery Services Agent) who wants to have her cake and eat (snort) it too, enjoying all the carnal pleasures of living in PTown, New England’s gay capital, while investigating a murder off the books. Her moonlighting intersects with and gets in the way of an annoyed Statie Detective, Ray, whose not totally legit investigation into a drug trafficking ring is related to Jackie’s own search.


Stateless  (Australia) – Netflix

Fuck. A. Duck. Not only did I not see this one coming but when it arrived I did not expect to care. But here we are. This emotional, perfectly acted, gripping miniseries follows four separate but intertwined characters at an Australian detention center for refugees – an Aussie who thanks to a cult causing a psychotic break thinks she’s German; a guard who took the well-paying, government funded job with the center’s contractor to give his family a better life; a bureaucrat who is trying to keep the center’s as well as the refugee detention policy’s reputation above water, and an Afghan refugee desperate to give himself and his missing family the life he dreams for them. You can only imagine.


The Umbrella Academy – Netflix

Red: I’ll have a full blog about this later as I just finished season 1, but The Umbrella Academy is a quarantine must watch for anyone who’s into sci-fi, graphic novels, time travel, and just generally weird shows. You definitely have to kind of go with it in this show since it really leans into the weirdness, but hey that’s to be expected when you base a show off a comic written by the lead singer from My Chemical Romance.

Gomorrah – HBO Max

First things first from what I understand if you have HBO you probably have HBO Max for free although the Home Box Office has done a terrible fuckin job rolling this thing out. Anyway, I won’t try and lie, I’ve never watched Gomorrah. But I’ve been told it’s actually one of the best shows out there and I saw recently it was ranked the #5 foreign show of the decade. By the New York Times maybe? Anyway here’s the wikipedia rundown:

“Set in the suburbs of Naples, Italy, the crime drama goes inside the Camorra, a fierce Neapolitan crime organization led by Pietro Savastano. The story is told through the eyes of Don Pietro’s right-hand man, Ciro Di Marzio, whose faith in the family is tested when he realizes how far Don Pietro is willing to go to keep his power.“

“F” Is For Family – Netflix

This serves as more of a reminder that a new season of Bill Burr’s hilarious cartoon dropped during quarantine. The lightly-autobiographical tale of a working class family in the 70’s remains absolutely hysterical, something we all need right now.

The Sopranos – HBO

WATCH THE FUCKING SOPRANOS YOU UNAMERICAN FUCKS.